Betsy begins with undyed silk broadcloth and raw silk which she dyes using fiber reactive dyes. She uses low immersion dyeing techniques to give mottled color variations as well as shibori techniques of binding the fabric during the dye process. The next step is screen printing using the deconstructed process and photo emulsion screens from her own designs. Betsy finds inspiration for the screens and stamps in nature, from other cultures (Tonga mats and baskets, carved wood blocks from India), and natural curvilinear shapes. Deconstructed screen printing involves collecting textured items under the screen, running unactivated dye over the screen, letting it dry, and releasing the dye with activator. Betsy prints many layers using different screens, colors, and textures. Then she stamps, paints, monoprints, and discharges to complete the process. In making the wall hangings, Betsy finds areas in different fabrics that work together and overdyes the prints in acid dye as necessary to meld the colors.